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The project remained in development hell for many years, with writers and directors like Jon Cohen, Todd Alcott, and Joss Whedon attached at various points. Believing the war is orchestrated by Ares, the god of war, she sets out to stop him and end the suffering. Directed by Patty Jenkins from a screenplay by Allan Heinberg, based on a story by Heinberg, Zack Snyder, and Jason Fuchs, it is the fourth installment in the DC Extended Universe (DCEU).

Full cast & crew

By May 2018, long-time DCEU producer Zack Snyder confirmed on social media platform Vero that he, along with his wife Deborah Snyder, would serve as producers on the Wonder Woman sequel. In March 2018, Kristen Wiig was confirmed to play Cheetah, the villain of the film. Patty Jenkins initially signed on for only one film, but began working on a sequel with Geoff Johns, who revealed they had a “cool idea for the second one.” At the 2017 San Diego Comic-Con, Warner Bros. officially announced a sequel, initially titled Wonder Woman 2, set for release on December 13, 2019, later moved to November 1, 2019. She argued that the film is powerful not because Gadot is Israeli, but because it symbolizes Israel’s strength and potential. Rothstein explored how Israeli women, empowered by mandatory military service, are treated equally and encouraged to grow, contrasting this with societies where women face oppression. Palestinian-American activist Linda Sarsour argued that feminists could not support both Israel and Palestinian rights, causing a rift in feminist circles.

Casting

Gadot said that the movie is a “coming-of-age story, it’s about her become an adult, really. From a child to an adult, and understanding the complexities of life.” Jenkins noted that she faced pushback from the studio regarding her decision to make Wonder Woman vulnerable, as some questioned portraying the character with flaws rather than as purely strong or perfect. The film also incorporates elements from DC Comics’ origin changes in The New 52 reboot, where Diana is the daughter of Zeus. Director Jenkins drew inspiration from William Moulton Marston’s 1940s stories and George Perez’s 1980s in which he modernized chicken road game money the character. When Patty and I had our creative conversations about the character, we realized that Diana can still be a normal woman, one with very high values, but still a woman.

Jenkins responded by giving him some extra creative control over his character, which Brave Rock said was “unprecedented”. Gadot described Diana as having “the heart of a human so she can be emotional, she’s curious, she’s compassionate, she loves people. And then she has the powers of a goddess. She’s all for good, she fights for good.” She also said that Diana has “many strengths and powers, but at the end of the day she’s a woman with a lot of emotional intelligence”. Nicole Kidman was in negotiations for the role of Queen Hippolyta, but was forced to drop out due to scheduling conflicts with Big Little Lies. As well, Elena Anaya’s performance as Doctor Poison is the cinematic debut of that character.

• Gadot said that the movie is a “coming-of-age story, it’s about her become an adult, really. From a child to an adult, and understanding the complexities of life.”
• Jenkins responded by giving him some extra creative control over his character, which Brave Rock said was “unprecedented”.
• Gadot later signed a three-picture deal and received a base salary of $300,000 for the film itself.
• Christina Cauterucci felt Wonder Woman’s ability to be considered a “feminist antidote” was undermined by her “sex appeal”.
• Critics commented favorably on Gadot’s performance of the titular character and Chris Pine’s Steve Trevor.

It was chosen because most beaches in the world that sit below big cliffs disappear beneath the tide for part of every day. Jenkins said she shot the movie on film instead of digital video “because there’s a certain type of epic grander escapism that film gives you that you cannot – you will struggle very hard – to get that on video”. In late April, filming took place at the Louvre Museum in Paris, France, where a Wayne Enterprises truck was spotted alongside Gadot.

Steve Doyle

He argued Connor was “if not ahead of its time, at least a breakthrough in its time” because though she “looked great”, she “wasn’t treated as a sex object”. Susannah Breslin agreed with Cameron, describing Jenkins’s Wonder Woman as “a Playmate with a lasso” and “female power with no balls”. Steinem gave Hillary Clinton the first Wonder Woman Award in 2017 during the Women’s Media Center’s “Speaking Truth to Power Awards”. Frankel argues the film subverts the male gaze, stating the construction of Wonder Woman shifts every few decades as it reflects the state of feminism, including third-wave feminism. Christina Cauterucci felt Wonder Woman’s ability to be considered a “feminist antidote” was undermined by her “sex appeal”.

Wonder Woman (2017 film)

In contrast, he states, his character Sarah Connor “was not a beauty icon. She was strong…troubled…a terrible mother and…earned the respect of the audience through pure grit.” Jenkins responded that Cameron’s “inability to understand what ‘Wonder Woman’ is, or stands for, to women all over the world is unsurprising as, though he is a great filmmaker, he is not a woman”. Williams then juxtaposes Wonder Woman with past female action heroes Sarah Connor, Ellen Ripley and Lara Croft, whom she suggests were all constructed for the male gaze, in which a “female warrior becomes a sex object”. Chris Nashawaty applauded the film’s “smart, slick, and satisfying” tone, while emphasizing the irony that a female hero and director set new standards in a male-dominated genre. Scott Mendelson of Forbes called it “the best female-centric comic book movie,” far surpassing films like Catwoman (2004) and Elektra (2005), though he noted it has flaws and doesn’t match the 2009 animated film Wonder Woman. It also became the highest-earning film with a female director in terms of domestic earnings—surpassing Frozen (2013).

It was also the 16th superhero film to cross $100 million in its domestic box office launch. This included $11 million it made from Thursday previews, also the best start for a film directed by a woman, surpassing Fifty Shades of Grey’s (2015) $8.6 million which was directed by Sam Taylor-Johnson and the third-biggest of the year, behind Beauty and the Beast and Guardians of the Galaxy Vol. The film opened Friday, June 2, 2017, across 4,165 theaters and made $38.2 million on its opening day, including $3.7 million in IMAX.

Audiences polled by CinemaScore gave the film an average grade of “A” on an A+ to F scale, while PostTrak reported filmgoers gave it an 85% overall positive score and a 73% “definite recommend”. The film debuted at the top spot of both the NPD VideoScan overall disc sales chart and the Blu-ray Disc sales chart. The film opened in its last market, Japan, on August 25 and debuted to $3.4 million, helping the international gross cross the $400 million mark. In its second week of release, the film brought in another $60 million, including holding the top spot on France, the UK, Australia and Brazil. It eventually became the highest-grossing film directed by a woman, surpassing the previous records of Jennifer Yuh Nelson’s Kung Fu Panda 2 and Phyllida Lloyd’s Mamma Mia! In its second week, the film grossed $58.5 million, again topping the box office, while also defeating The Mummy ($31.7 million).

She drew inspiration from sportswear, focusing on durability and flexibility to support the film’s action sequences. Brave Rock raised several concerns with Jenkins over the representation of his character in the film, particularly that he was not comfortable playing into stereotypes and that he was not keen on his character being simply known as “Chief”. On the genre of the film, Huston said “It’s Greek mythology. It’s the origin of story.”

Art Directors

One came from Jesse McLaren who states “Cameron’s just confused there’s a female hero whose motivations aren’t centered around motherhood.” Noah Berlatsky found areas of agreement between Cameron and Jenkins, stating that while Cameron’s objection is “an old point that’s been made over and over for decades”, Jenkins’s film is not “solely focused on objectifying Gal Gadot for a male audience”. A Newsweek article suggests that in contrast to his criticism of Jenkins, Cameron’s own films include “lot of objectification” and quotes Hollywood celebrities who echoed this view. She argued “there is no right and wrong kind of powerful woman” because “if women have to always be hard, tough and troubled to be strong and we aren’t free to be multidimensional or celebrate an icon of women everywhere because she is attractive and loving, then we haven’t come very far, have we?” Reaction to this debate was mixed.

Deadline Hollywood calculated the film’s net profit as $252.9 million, accounting for production budgets, marketing, talent participations, and other costs; box office grosses and home media revenues placed it sixth on their list of 2017’s “Most Valuable Blockbusters”. Estimates for the number the film needed to surpass internationally in order to cover its production and promotional costs and break even ranged from $300 million to $460 million. On April 17, it was announced that Wonder Woman would be released in China on June 2, the same day as its North American release. Belgium, Singapore and South Korea received the film first, with May 31 openings.

They were then able to model over time and grow that audience leading up to the 15-months-later release of Wonder Woman. The success of the superhero television series Supergirl informed the marketing and promotion strategy used for Wonder Woman. Australian musician Sia sang a song for the film, titled “To Be Human”, featuring English musician Labrinth. On November 3, 2016, Rupert Gregson-Williams was hired to write and compose the film’s music. A standout shot involved a custom-built rig resembling a “roller-coaster of pipe and tracks,” designed to move the camera from a high vantage point down to ground level while capturing the action in slow motion. Jenkins and Jensen studied the vibrant portraits of Edwardian painter John Singer Sargent’s vibrant portraits, particularly those from around 1918, to create a period aesthetic without relying on muted tones.

Producer

However, even in London, Jensen avoided complete desaturation, achieving a balance by filming under overcast winter light to create a soft patina. Themyscira, Wonder Woman’s utopian homeland, was depicted with azure skies, verdant fields, and clear waters, symbolizing a paradise untouched by war. Bill Westenhofer served as the visual effects supervisor for the film and Martin Walsh served as editor. The estuary at Lower Halstow in Kent is featured in the scene in which Diana arrives at a Belgian creek to make her way to the warfront.

In March 2005, Warner Bros. and Silver Pictures announced that Joss Whedon would write and direct the film. Leonard Goldberg focused on Bullock who said that she was approached for the role. Zack Snyder also makes a brief cameo appearance in the film as an unnamed soldier.

Unlike other franchise films that prioritize brand consistency, DC Entertainment and Warner Bros. gave Jenkins and Jensen creative freedom, allowing them to craft a distinctive aesthetic that aligned with Wonder Woman’s character and origin story. The film is an origin story of one of the most beloved superheroes, and it’s a must watch for any comic book fans. “Wonder Woman” is a 2017 superhero film directed by Patty Jenkins and based on the DC Comics character of the same name. Emily Shire, politics editor at Bustle, highlighted how Gadot’s portrayal of Wonder Woman challenged longstanding stereotypes of Jewish women, who were often relegated to secondary or unattractive roles in film. He compared Gadot’s representation of the character to Raquel Welch films of the 1960s, and reinforced a comparison with Linda Hamilton’s portrayal of Sarah Connor.

Jewish identity and Israel representation

• On April 17, it was announced that Wonder Woman would be released in China on June 2, the same day as its North American release.
• Killian suggests these elements “should not be the focus of a kickass heroine—her beauty, bone structure and sexiness—if she is to be a feminist icon”.
• In 2015, Patty Jenkins accepted an offer to direct Wonder Woman, based on a screenplay by Allan Heinberg and a story co-written by Heinberg and Zack Snyder and Jason Fuchs.
• Danielle Berrin of The Jewish Journal noted that Wonder Woman’s origins in battling Nazis during World War II lent her character symbolic importance for Jewish audiences, aligning with a narrative of resistance and empowerment.
• That same year, Warner Bros. began development of a Justice League film with Michele and Kieran Mulroney writing the screenplay.

Steve is interrogated with the Lasso of Hestia and reveals that a great war is consuming the outside world and that he is an Allied spy. Overprotecting Diana, Hippolyta conceals Diana’s true origin from her, but reluctantly agrees to let her sister, Antiope, train Diana as a warrior. Hippolyta tells Diana the story of how Ares became jealous of humanity and orchestrated its destruction. In present-day Paris, Diana Prince receives a photographic plate from Wayne Enterprises of herself and four men taken during World War I, prompting her to recall her past.a Plans for a third film were canceled after DC Films was restructured into DC Studios in 2022.

Shortly afterward, Paul Feig said he had pitched the studio an idea for Wonder Woman as an action-comedy film. In 2010, Warner Bros. stated that a Wonder Woman film was in development, along with films based on DC Comics superheroes the Flash and Aquaman. Development for a live-action Wonder Woman feature film began in 1996, with Ivan Reitman attached as producer and possible director. The American Film Institute included it in its top ten films of 2017, and it won the Hugo Award for Best Dramatic Presentation in 2018. It grossed over $824 million worldwide, making it the tenth highest-grossing film of 2017 and the highest-grossing film by a solo female director until it was surpassed by the Chinese film Hi, Mom (2021). The film received critical acclaim for its direction, performances, visuals, story, action sequences, and cultural significance, though some criticism was directed at the climax.